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Witte raven, zwarte schapen
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ISBN: 9076421153 Year: 2001 Publisher: Brussel Hoofdstuk 27

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The theatrical baroque

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The secret life of puppets
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ISBN: 0674012445 9780674012448 Year: 2001 Publisher: Cambridge, Mass. Harvard University Press

The practice of persuasion: paradox and power in art history
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ISBN: 0801438012 0801486750 Year: 2001 Publisher: Ithaca, N.Y. Cornell University Press

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Erhaltung und Pflege von Kunstwerken: Material und Technik, Konservierung und Restaurierung
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ISBN: 3781404285 Year: 2001 Publisher: München Klinkhardt & Biermann

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Heading West, touring West: mapmakers, performing artists, and the American frontier
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ISBN: 087104451X Year: 2001 Publisher: New York, N.Y. New York Public Library

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Het kabinet van Robert Fruin: een 19de eeuwse kijk op de vaderlandse geschiedenis
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Year: 2001 Publisher: Leiden

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Remembrance of repasts : an anthropology of food and memory
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ISBN: 185973474X 1859734693 Year: 2001 Publisher: Oxford Berg

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Curiosities and texts : the culture of collecting in early modern England
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ISBN: 0812236106 9786613212009 1283212005 0812203178 Year: 2001 Publisher: Philadelphia : University of Pennsylvania Press,

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A craze for collecting swept England during the sixteenth and seventeenth centuries. Aristocrats and middling-sort men alike crammed their homes full of a bewildering variety of physical objects: antique coins, scientific instruments, minerals, mummified corpses, zoological specimens, plants, ethnographic objects from Asia and the Americas, statues, portraits. Why were these bizarre jumbles of artifacts so popular?In Curiosities and Texts, Marjorie Swann demonstrates that collections of physical objects were central to early modern English literature and culture. Swann examines the famous collection of rarities assembled by the Tradescant family; the development of English natural history; narrative catalogs of English landscape features that began to appear in the Tudor and Stuart periods; the writings of Ben Jonson and Robert Herrick; and the foundation of the British Museum.Through this wide-ranging series of case studies, Swann addresses two important questions: How was the collection, which was understood as a form of cultural capital, appropriated in early modern England to construct new social selves and modes of subjectivity? And how did literary texts-both as material objects and as vehicles of representation-participate in the process of negotiating the cultural significance of collectors and collecting? Crafting her unique argument with a balance of detail and insight, Swann sheds new light on material culture's relationship to literature, social authority, and personal identity.

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